Many Thousands Gone

Showing In

Shorts from the Ann Arbor Film Festival
Dutmers at the Dennos Museum Wed, Jul 29, 2015 9:00 PM
Each year we excitedly head south to the AAFF, the third oldest film festival in North America, to feast on the best in the world of experimental cinema. Then we bring our favorites back Up North for you. Experience 47 animated, small, surreal events that taken together somehow replicate the feeling of being alive in “Symphony No. 42;” explore a 100-year-old boat shop in the LA harbor that evokes a hidden world at sea in the award-winning “Port Noir;” and thrill to an incredible soundtrack as the Vaux’s Swifts “Layover” in Portland, Oregon, on their migratory flight to South America. In Person: AAFF Executive Director Leslie Raymond.
Shorts from the Ann Arbor Film Festival
Dutmers at the Dennos Museum Sat, Aug 1, 2015 3:00 PM
Each year we excitedly head south to the AAFF, the third oldest film festival in North America, to feast on the best in the world of experimental cinema. Then we bring our favorites back Up North for you. Experience 47 animated, small, surreal events that taken together somehow replicate the feeling of being alive in “Symphony No. 42;” explore a 100-year-old boat shop in the LA harbor that evokes a hidden world at sea in the award-winning “Port Noir;” and thrill to an incredible soundtrack as the Vaux’s Swifts “Layover” in Portland, Oregon, on their migratory flight to South America. In Person: AAFF Executive Director Leslie Raymond.
Film Info
Section:Short Films
Release Year:2015
Runtime:8 min.
Production Country:USA
Brazil
Subtitles:English
Cast/Crew Info
Director:Ephraim Asili

Description

Filmed on location in Salvador, Brazil (the last city in the Western Hemisphere to outlaw slavery) and Harlem, New York (an international stronghold of the African Diaspora), Many Thousands Gone draws parallels between a summer afternoon on the streets of the two cities. A silent version of the film was given to jazz multi-instrumentalist Joe McPhee to use as an interpretive score. The final film is the combination of the images and a modified version of McPhee’s real time “sight reading” of the score.